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Sonnox Oxford Inflator Mac OS Technical Details.

It is also possible to have the gain reduction applied to a user–defined mix of broadband and frequency–specific components, so that the whole signal is compressed to some extent but the sibilant region is ducked more. There's also a wet/dry Mix control similar to those used in parallel compression, so that some of the untreated signal can be added back in, and for more of an old–school effect, there's a Wide mode to allow full–band compression when sibilants are detected. The band-pass/band–reject filters switch EQ type automatically between four modes to maintain an optimum response at different width settings, and this happens quite transparently without concerning the user.

When they are mixed back together, the original signal is recreated, but when the compressor reacts to the signal in the band–pass detector filter, the sibilant band contribution to the output is ducked in level. In other words, the crossover filters divide the input into a signal path containing just the contents of the sibilant band and another signal path comprising the input signal with this band removed.

This is useful if the vocals get a lot louder in the choruses than in the verse, for example, and means that the SuprEsser can be used prior to a conventional compressor in the signal chain. Once this is done, the plug–in has an Auto Level Tracking mode that very cleverly tracks the signal level and adjusts the threshold accordingly, so the same amount of gain reduction is applied to sibilant sounds regardless of the signal level. Three listen modes allow the user to listen to the mix, the output of the band–pass filter alone, or the output of the band–reject filter alone, and once the frequency band has been located, lowering the threshold fader controls the level at which the gain reduction process is active. Apparently, the gain control element of the SuprEsser is a modified version of the compressor section of the Oxford Dynamics plug–in, teamed with a pair of linear–phase crossover filters, so that the compressor acts only on frequencies in the range that needs treatment and applies gain reduction via a tuneable band–reject filter.